Bill Woodrow

[1] Woodrow was one of a number of British sculptors to emerge in the late 1970s on to the international contemporary art scene, together with fellow artists like Richard Deacon and Tony Cragg.

One of three artists selected to make a sculpture for the Fourth Plinth in Trafalgar Square, London, in 2000, Woodrow chose to explore a recurring theme in his work – the destruction of the planet and the insistent strength of nature over man – in the piece entitled Regardless of History.

[1] Important solo shows by Woodrow include the XXI São Paulo Art Biennial (Brazil, 1991); Fool's Gold, an exhibition of bronze sculptures at the Tate Modern (London, UK, 1996); and Bee Keeper at the South London Gallery (2001).

A joint project between the historic country house and the Royal Academy, the show included Woodrow's piece Endeavour: Cannon Dredged from the First Wreck of the Ship of Fools as well as works by Michael Craig-Martin, Richard Deacon and Gary Hume.

[1] Woodrow was a finalist for the Turner Prize in 1986,[1] and was elected a Royal Academician in the sculpture category in May 2002.

Pond (2006) by Woodrow at the Mudam (Grand Duke Jean Museum of Modern Art in Luxembourg )
Woodrow's Sitting on History (1995) was purchased for the British Library by Carl Djerassi and Diane Middlebrook in 1997. The sculpture, with its ball and chain , refers to the book as the captor of information from which we cannot escape.
Bunker/Mule (1995) in Blåvand-Oksby, Denmark