Biscainhos Museum

He was a Knight in the Order of Christ, alcalde of Ervededo, Overseer and Judge of Braga, Chancellor of Relação, attorney-general of Mitra, represented the city in the 1667 Cortes in Lisbon.

[1] In the course of this work, a ceiling painting in the main hall was executed by painter Manuel Furtado de Mendonça (in 1724), and later, azulejo tile, which came from fabricators in Coimbra.

[1] Gonçalo Pereira da Silva de Sousa e Menezes (1797-1856), Count of Bertiandos, member of the council of Queen D. Maria II, Peer of the Kingdom, Civil Governor of Braga and attorney of the 1928 Cortes.

[1] His daughter, Joana Maria do Rosário Francisca Sales Pereira da Silva de Sousa e Menezes (1818-1874), second Countess of Bertiandos, lading-in-waiting of Queens D. Estefânia and D.

[1] In 1963, the building was acquired by the District Junta from the Viscount of Paço de Nespereira, in order to install a museum, with work initiated under the responsibility of Alberto da Silva Bessa.

[1] The large entranceway was structured in a way to permit carriages, and other vehicles, to enter by way of a covered patio, that served simultaneously as principal entrance and passage to the stables and gardens.

[1] Inside the bulwark's simulacrum is a small temple with dome and lantern, that contains sepulchral slabs dedicated to the former-gentry the masters of the house.

[1] The estate is divided into three terraces, rising slightly from the house to the west, separated by walls crowned with tile planting boxes.

[1] It occupies a rectangular terrace surrounded by a wall with tiled floor, decorated pyramids, urns and statuary statues, over the access gates, on the side viewpoints and at the angles, together with the raised beds.

The main entranceway to the Biscainhos residence
The interior courtyard of the residence of the Biscainhos
A view of the manicured gardens of the Biscainhos