She continued her studies at the Maxim Gorky Literature Institute in Moscow, as she defended a dissertation on "Mayakovsky and Bulgarian poetry" in 1951.
During the Vietnam War she visited that country several times, adopted a young Vietnamese orphan and then published several works resulting from her observations.
In an interview with a capital newspaper, she said: "The post of vice president gave me the opportunity to face people's characters, to understand what power is.
The Seventies marked the peak of her poetic production, with the publication of a number of books that re-awakened the Bulgarians' conscience.
In 1981, after four years' attempts, she successfully published Face, a metaphor of the totalitarian regime and the void it provokes in people, in which she wrote: "You don't know the secret for making a career for yourself?
"Despite the cuts made by the censors, the book was confiscated anyway, slammed by the critics, who accused the author of being on the payroll of a foreign power.
During the first free demonstration in Sofia, in November 1989, alongside the banners the crowd raised two books in the air: Fascism by Zelu Zelev and Face.
She was noticed by the literary critic Vladimir Vasilev, who strongly invited the future poet to send poems to the Zlatorog magazine as well.
Some of her most famous works are her first novel Journey to Self (1965), her novel Deviation (1967), which was filmed with the participation of actors Nevena Kokanova and Ivan Andonov, the travelogue novel The Last Judgment (1969), written after the little girl Ha Thu Hoang was taken from Haiphong Vietnam.
Followed by the novel "Lavina" (1971) was filmed, the biographical book "The youth of Bagryana and her companions" (1975 co-authored with Yordan Vasilev), "Black and white days.
Along with the prose books, she had her most famous collections of poems: Until Tomorrow (1959), The World in a Hand (1962), Back in Time (1965), Doomed to Love (1967), Gong (1976), Night Diary (1976), Spaces" (1980), "Voice" (1985) and others.
Blaga Dimitrova left over 80 books, screenplays, essays, interviews, a rich treasury of representative of generations of female authors in Bulgarian literature.