It is the first part of Saura's 1980s flamenco trilogy, and is followed by Carmen (1983) and El amor brujo (1986).

The film depicts Antonio Gades and his dance company performing a flamenco adaptation of Federico García Lorca's play Blood Wedding.

The dance is then performed in a bare windowed space with a minimum of props and no set.

[1] The video clip for Figlio della luna, the Italian version of the 1986 song Hijo de la Luna by Mecano, has a esthetic related to Blood Wedding.

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