The duo's format was typically to satirize the medium in which they were performing, such as conducting radio or television interviews, with off-the-wall dialogue presented in a generally deadpan style as though it were a serious broadcast.
Staff musicians Ken Wilson (organ) and Bill Green (piano) opened each show with a sprightly rendition of "Collegiate".
If Ray happened to mention a distant city, Bob would solemnly introduce a travelogue and the pair would narrate a mock documentary.
A chance remark about a labor-saving device would bring home-economics expert Mary Margaret McGoon (Ray) to the microphone, offering an unlikely recipe or promoting a useless appliance.
A testimonial by actor Basil Rathbone would be followed by Bob and Ray adopting British accents and outlining a mystery.
A commercial for a toy dealer would result in Bob immediately introducing a children's story as told by "Uncle Ray".
Beginning in October 1948 they satirized a regularly scheduled singing commercial for Mission Bell Wines, which called for an announcer to read the ad copy live between the opening chorus and the closing jingle.
One episode had Bob and Ray commenting on a Wilson-Green duet and then discussing the many success stories of the Wilson and Green School of Music.
Matinee with Bob and Ray became a favorite with listeners in New England, which brought Elliott and Goulding to the attention of NBC in New York.
They continued on the air for over four decades on the NBC, CBS, and Mutual networks, and on New York City stations WINS, WOR, and WHN.
It came at a time when network pages filled seats for radio-TV shows by giving tickets to anyone in the street, and on Pick and Play the two comics were occasionally booed by audience members unfamiliar with the Bob and Ray comedy style.
Their "staff" (all voiced by Elliott and Goulding) was a comic menagerie of reporters, book reviewers, actors, and all other manner of radio personalities, all of whom interacted with "Bob" and "Ray", as well as with each other.
Ray Goulding's roster of characters included: While originally employing a falsetto, Goulding generally used the same flat voice for all of his women characters, of which perhaps the best-known was Mary Margaret McGoon (satirizing home-economics expert Mary Margaret McBride), who offered bizarre recipes for such entrees as "frozen ginger ale salad" and "mock turkey".
Another soap opera spoof, "Garish Summit" (which Bob and Ray performed during their stint on National Public Radio in the 1980s), recounts the petty squabbles for power among the wealthy family members who own a lead mine.
Trace sketch began with a simple plot that soon degenerated into total gibberish where the dialogue was concerned ("Mister Treat, Chaser of Lost Persons", "Thanks for the vote of treedle, Pete") and gunplay ("You... You've shot me!...
(Bob) had to make do with a single assistant (Ed Sturdley, played by Ray), who eventually became exhausted from running around the theater.
Bob and Ray revisited the Ace Willoughby format a decade later in a parody of the TV detective show Mannix.
In addition to parodies of specific programs and genres, many of Elliott and Goulding's sketches turned on the inherent absurdities of reportage and interviewing.
One particularly enduring routine cast Elliott as an expert on the Komodo dragon, and Goulding as the dense reporter whose questions trailed behind the information given.
[4] Another featured Elliott as the spokesman for the Slow Talkers of America ("headquarters" in Glens Falls, New York), whose lengthy pauses between words increasingly frustrate Goulding.
Their character known as "The Worst Person in the World" (a reference to New York magazine theatre critic John Simon, who gave their stage show a negative review) was, many years later, appropriated by MSNBC host Keith Olbermann.
Bob and Ray would do a brief comedy routine, and then play the normal game of having a celebrity panel try to guess the contestants' famous names.
The rigid format of the game gave the team little room to indulge their humor, and their run as hosts lasted only 10 weeks.
In 1979, they returned to national TV for a one-shot NBC special with members of the original Saturday Night Live cast, Bob & Ray, Jane & Laraine & Gilda.
It included a skit (not written by Elliott and Goulding) in which the team sat in chairs, in business suits, facing the audience, nearly motionless, and sang a duet of Rod Stewart's major hit "Da Ya Think I'm Sexy?"
Elliott and Goulding, reviewing the script beforehand, didn't like the idea at all and tried to refuse it, but their deadpan rendition of the song became the hour's highlight.
Near the beginning of the program, they announced a contest which would take suggestions for the "new capital of Pennsylvania", not specifically mentioning the very recent Three Mile Island nuclear accident that had taken place near Harrisburg.
: A Special Christmas, and made guest appearances on episodes of The David Steinberg Show, Happy Days, and Trapper John, M.D.. Elliott and Goulding starred in a pair of two-man stage shows: The Two and Only on Broadway in 1970 (featuring a Playbill drawn by Mort Drucker), and A Night of Two Stars at Carnegie Hall in 1984.
They also did extensive work in radio and television commercials, and enjoyed supporting roles in the feature films Cold Turkey (1971), where they played caricatures of famous news personalities of that day, and Author!
Elliott continued to perform, most notably with his son (actor/comedian Chris Elliott) on the TV sitcom Get a Life, on episodes of Newhart, LateLine and Late Night with David Letterman, in the films Cabin Boy (also with son Chris) and Quick Change, and on radio for the first season of Garrison Keillor's American Radio Company of the Air.