Panelling, such as wainscoting and boiserie in particular, may be extremely ornate and is particularly associated with 17th and 18th century interior design, Victorian architecture in Britain, and its international contemporaries.
Wainscot oak came from large, slow-grown forest trees, and produced boards that were knot-free, low in tannin, light in weight, and easy to work with.
During the 18th century, oak wainscot was almost entirely superseded for panelling in Europe by softwoods (mainly Scots pine and Norway spruce), but the name stuck: The term wainscoting, as applied to the lining of walls, originated in a species of foreign oak of the same name, used for that purpose; and although that has long been superseded by the introduction of fir timber, the term has been continued notwithstanding the change of material.
[3]Today the term wainscot refers commonly to the different treatment of the lower part of the wall (roughly a meter, 3–4 feet); see also dado.
This renewed interest is driven by the material's natural warmth and texture, its eco-friendly properties when sourced responsibly, and the influence of contemporary design trends showcased in media and online platforms.