Vuletic’s music is marked by its unusual overcoming of genres and his interdisciplinary approach to theater, art installations, movies, contemporary dance and poetry.

He collaborated with musicians such as Zeena Parkins, Nate Wooley,[3][4] Matt Moran, Audrey Chen, Soo-Jung Kae, Patrice Bart-Williams and Frank Schulte, as well as ensembles like Die Toten Hosen, WDR Big Band and Trovači.

Vuletić constantly works for visual artists like Aurelia Mihai and his long collaboration with and for Danica Dakic was to be heard in international exhibitions like the documenta 12,[5] Kunsthalle Düsseldorf, Museum für Moderne Kunst Frankfurt[6] and the biennales in Istanbul and Liverpool.

Among the large variety of theatre productions for directors as Volker Hesse, Dedi Baron, Günther Beelitz, Nurkan Erpulat, Bettina Jahnke, and Thorsten Weckherlin his new compositions for the Bertolt Brecht pieces Der kaukasische Kreidekreis and Die heilige Johanna der Schlachthöfe stand out, as they were officially commissioned by Barbara Brecht-Schall and the Brecht-Erben GmbH.

As a composer and performer he worked on contemporary dance pieces of choreographers like Yun-Jun Kim and Marcus Grolle in South Korea, Canada, Japan and Germany.