Bolshoi Ballet

[2] In 1776, dancers from the school were employed by Prince Pyotr Vasilyevich Urusov and English theatrical entrepreneur Michael Maddox to form part of their new theatre company.

It was not until the appointment of Alexander Gorsky as Ballet Master in 1900 that the company began to develop its own unique identity, with acclaimed productions of new or restaged ballets including Don Quixote (1900), Coppélia (1901), Swan Lake (1901), La fille mal gardée (1903), Giselle (1911), Le Corsaire (1912) and La Bayadère (1917).

Grigorovich held his position until 1995, at which point a series of directors, including Boris Akimov, Alexei Ratmansky, Yuri Burlaka and Sergei Filin, brought more modern dance performance ideas to the company.

[7][8][9][10] The performance style of the Bolshoi Ballet is typically identified as being colourful and bold, combining technique and athleticism with expressiveness and dramatic intensity.

In 2013, ballerina Anastasia Volochkova claimed that female dancers were forced to sleep with wealthy patrons, saying: "It mainly happened with the corps du [sic] ballet but also with the soloists.

"[12] American dancer Joy Womack echoed this concern when she left the company after being told that, to secure solo roles, she must either pay $10,000 or "start a relationship with a sponsor.

In September 2020, Russian investigators announced that they believe Demina may have been killed in a blackmail plot by Malkhaz Dzhavoev, whom she was dating and was allegedly her "manager".

Soloists of the Bolshoi Ballet at the Schiphol airport, 9 June 1960
Anna Tikhomirova performing in Delhi