[4] The small downstairs area is the main live venue, where past performers have included Nick Pynn, Kate Daisy Grant, Stewart Lee, Bridget Christie, Rich Hall, Mike Heron, Robin Williamson, Boothby Graffoe, Lorraine Bowen, Arthur Brown, Spacedog, George Egg, Joanna Neary, Foster and Gilvan, David Bramwell, Gilli Bloodaxe, Steve Hawley and Jerry Dammers.
Chimes ring out when customers lift the salt cellar on one table, and another has a screen showing 1920s black and white cartoons of Aesop's Fables.
"One of the charms of the venue," writes Daniel Agnew, "is how young children turn up to do their homework and are treated with the same respect as the musicians rehearsing in the Moroccan parlour downstairs.
"[10] In the 90s, she went solo, playing the harmonium, singing her own songs, and wearing a selection of mechanical hats that "light up and turn and move in various ways.
She told Brighton's Source magazine, "I thought, 'Wouldn't it be great to have your harmoniums and your hats in one place, and have a little venue downstairs, have a little café upstairs.'
A small audience of four was led upstairs by Bom-Bane, singing a health and safety warning about the staircase, to the bathroom, 'where we were confronted by a beautiful tableau, accompanied with a song by the hostess.
Next, the living room, where a rotating series of guest performers are made up of famous friends of Jane's doing wonderful and curious things.
Then up another flight of steps to a display of Jane's infamous mechanical hats from previous productions, all impressively animated to a new musical number.
This featured puppetry by Daisy Jordan (Barely Human Puppets), with singing by the madrigal folk trio The Silver Swans, comprising Bom-Bane, Emma Kilbey and Eliza Skelton, who is also the café's chef.
Bom-Bane's 2014 May fringe show was inspired by Brighton's lost secret river, an intermittent stream called the Wellesbourne.
'[19] For this show, the company comprised Jane Bom-Bane, Eliza Skelton, Foz Foster, Colin Uttley, Freya Bowyes, Martin Peters, Lynne Thomas, Sarah Angliss and Daisy Jordan.
Bom-Bane's 2015 fringe show was called Saippuakivikauppias, which means 'The Soapstone Seller' in Finnish, and is also thought to the longest palindromic word.
The audience followed the Midgard Serpent down into the underbelly of the cafe, where 'the tale of a troubled craftsman driven and hampered by his compulsion to remain symmetrical was told through song, puppetry and animation.'
'An all-round sensory treat, this thoughtful existential fable effortlessly sucks the audience into its beautifully rendered world,' said Nick Aldwinckle in The Argus.
Rachel Blackman described the experience in Fringe Review: 'We barely manage to squeeze into each of the modest spaces with the performers who gradually accumulate and eventually outnumber us.
In each room we meet a different animal, all of whom must sacrifice a beloved item in order to find their authentic voice....if there is a message to be had, it is a light one, but touches on the notion that if we love someone, giving a piece of ourselves is a risk, but can pay off one hundredfold....And a plea maybe for the ongoing existence of this kind of intimate, real time, unrepeatable experience, where the value to each of us is so much more rich, raw and indescribable than the price of a ticket.
This combined the traditional fairy tale with stories of seven sisters, including the constellation, the waterfall in Norway and the chalk cliffs in Sussex.