The job was historically named prior to mechanisation, due to the sound of the operator's hand-knife blade rattling against the brass edge-binding (including the joints in the binding) used to protect the board patterns which were overlaid on to the skin.
Another major criterion is the need to colour-shade the respective parts of the shoe uppers which are cut as a pair, not only matching the colour variations but also considering the surface finish and grain texture.
Following the introduction of electrical/mechanised presses, the sounds changed entirely to a heavy thump and/or crack, with the board pattern with hand-knife being replaced by a 'knife' similar to a pastry cutter, although the operator still needed to learn hand-clicking as part of the training.
To use a rap stick, a right-handed operator would hold it in the left hand, resting the stick on the workbench for support, stroking the blade rapidly but gently back and forth on the abrasive surface to maintain a sharp edge whilst hand-cutting, in a similar fashion to a butcher's knife and sharpening steel.
On the reverse side is a heavy-leather smooth strop, to address any metal burrs left by the abrasive process.