Star Trek fan productions
It is the story of two (previously unseen) Starfleet officers from USS Enterprise-E (played by Erich Redman and German Big Brother star Kerstin Klinz) delegated to test the next, completely automated starship, the Enterprise-HC.
The film was directed by Thomas Wolff, produced by Joost van Wingerden, with CGI from Tobias Richter (later involved in production of ST New Voyages and Axanar).
[11] On December 29, 2015 the project was hit by a lawsuit from CBS and Paramount Pictures filed in Central California federal court, stating the Axanar works infringed upon their intellectual property by making use of "innumerable copyrighted elements of Star Trek, including its settings, characters, species, and themes.
[1] "Earlier today, executives from CBS reached out to me and advised me that their legal team strongly suggested that we do not move forward with plans to create a sequel to Horizon.
While this is a sign of the current climate that we find ourselves in with Star Trek fan films, I want to personally thank CBS for reaching out to me, rather than including us in their ongoing lawsuit against Axanar.
We’re incredibly excited to tell you about this completely original story that follows the ideals set forth by Star Trek that Ryan and I have been such huge fans and admirers of our entire lives.
The documentary reflects on Star Trek: Deep Space Nine's legacy, featuring interviews with the cast and crew of the series and speculating on what would have happened had there been an eighth season.
[32] Cast includes Alexander Siddig, Avery Brooks, Colm Meaney, Michael Dorn, Nana Visitor, Rene Auberjonois, and Terry Farrell.
George Takei reprised his role of Hikaru Sulu in the third episode, "World Enough and Time", joining the original Yeoman Janice Rand, Grace Lee Whitney.
The first episode of Dark Armada takes place ten years after the events in Star Trek: Nemesis on board the USS Batavia, named after the famous 17th-century Dutch ship, when Capt Richardson and his crew make a shocking discovery which will determine the fate of life on Earth and throughout the Federation.
[44] A U.K. based fanfilm, and the first such production from Scotland, Intrepid is set in the 24th century, several years after Star Trek: Nemesis, and revolves around the effort to colonise a distant and largely unexplored sector of the galaxy.
GMTV presenter Lorraine Kelly has a brief appearance in Intrepid[45] and the production has received extensive coverage in both national and international media, such as CNN,[46] BBC Radio Scotland[47] The Guardian,[48] and The Scotsman.
[50] Executive Producer and cast member Nick Cook has also collaborated with the Hidden Frontier crew several times, including the joint episodes Orphans of War and Operation Beta Shield, as well as the finale of Odyssey.
The 3-D animated series takes place in the year 2319 and follows Livia Avitus, the granddaughter of the Captain James Kirk, as a Special Agent for the Federation of Planets.
This independent production is the story of the USS Montana, a ship from the end of the era of "cowboy diplomacy" that travels seventy years into the future—into the new world of careful steps and slow deliberation.
[69][70] Executive Producer James Heaney started the audio drama in 2007 as a means of recruiting players to a Star Trek play-by-forum role-playing game (RPG) set on the USS Excelsior-C.[70][71] According to the show's website, "episodes are recorded in more than two dozen places on three continents," and by July 2010 voice actors in the US lived in nine different states while one resided in Australia and another in New Zealand.
The USS Jamestown, an experimental, Nebula Class vessel finds itself trapped in an alternate reality where the Romulan Star Empire has conquered nearly the entire Alpha Quadrant.
Without allies and without a place to call home, the Jamestown begins a one-ship-rebellion against the Romulan Star Empire in an attempt to restore what was once a shining light in the Alpha Quadrant.
This monthly audio drama produced by Tony Raymond and Dan McIntosh of Giant Gnome Productions follows the adventures of the crew of Deep Space 3 and the USS Chimera.
Set near the end of the 24th century and featuring among its crew an adult Naomi Wildman from Voyager, Endeavor focuses on a joint Federation/Klingon/Romulan/Cardassian mission to explore the (relatively speaking) nearby Andromeda galaxy.
Commander Mitchell Quinn takes the center chair of the USS Vigilance NCC-75635, a defiant class starship attached to CURE station deep within the Courtyard, an area of space between the Klingons, Romulans, and the Federation, as all three powers begin to pave the way for galactic peace.
Initially created as live show at the iO Theater of Chicago in 2009, with a cast of professional comedians, the podcast is entirely improvised from title suggestions submitted by listeners via social media, with music and effects added in post-production.
David Rogers' film presents the tale of a space weary security officer on the Enterprise who is sick of Kirk, the ship, and the red shirt he must wear every day.
Captain Picard, along with Doodah the android, Ya Har, Jordashe, Rigor Mortis, Sexx Toii (the Betamax counselor), Ensign Expendable, and Weasley Crushme all leap into action.
The series was created by Brian Matthews with assistance of Jim Jenkins as writer and Wally Fields as voice talent and takes place aboard the stoneship USS Magnetize.
Star Wreck: In the Pirkinning is a 2005 parody film produced by five friends in a two-room flat with a small budget and the support of a few hundred fans and several dozen acquaintances.
A viral 2020 video edited together by the creator ‘’Yew Zyr’’ with clips from ‘’Star Trek: The Next Generation’’ to emulate a full length episode in which the crew of the Enterprise take LSD.
The original Bring Back Kirk teaser trailer was released in 2001 and became popular at conventions, such as the 2003 Starfleet Ball and Brazilian Trek Con at São Paulo.
[96] Jennifer Granick, a San Francisco criminal lawyer who went on to champion cyber rights, felt that the unofficial sites should be covered by the fair use doctrine in U.S. copyright law.
[94] In 1998, then-UCLA associate professor Howard Besser claimed the entertainment industry as a whole was, and cited Viacom's actions toward Star Trek site webmasters as an example of, "exploiting concerns over digitization and attempting to reshape the law by strengthening protection for copyrights holders and weakening public rights to access and use material.
