He has earned several Grammy Nominations, the most recent in 2011 for Bulevard 2000 by Nortec Collective Presents Bostich+Fussible under the category of Best Latin Rock/Alternative Album.

Amezcua is considered the Godfather of Nortec by producers and fans alike since Bostich's early Nortec music clearly established the characteristics of his style: an interest in the electronic exploration, fragmentation, and reconstitution of tarola (snare drum) rhythmic patterns and tuba sounds and timbres, and their combinatorial possibilities.

[1] His song “Polaris“ marks the genesis of the Nortec style of music with its sequenced burpy tubas and machinegun drum sprays.

He has recorded consistently since 1992 using the aliases Bostich, Point Loma, Monnithor and Las Cajas del Ritmo.

As Bostich, he has collaborated with visual artists (Fritz Torres, Jorge Verdin, Checo Brown, Ernesto Aello), film directors (Les Bernstein, Hans Fjellestad, Emilio Maillé, Alex Rivera), writers (José Manuel Valenzuela, Alejandro L. Madrid, Juan Carlos Reyna), and musicians and composers (Pauline Oliveros, Kronos Quartet, Alan Parsons, The Baja California Orchestra, and Pepe Mogt).

Amezcua also composed the music for Mexico's pavilion at the Hanover Expo 2000,[9] in Germany, along with fellow Nortec Collective member Pepe Mogt.

In 2008 Oxford University Press published the book Nortec Rifa by musicologist and professor Alejandro Madrid, P.h.D.