Bruce Goff, formerly one of her high school students, and the architect in 1924–1926 of her home and studio, then took the sketches and came up with the design for the church.

The soaring straight lines of the tower provide physical, visual, and philosophical linkage to the Gothic Cathedrals of past ages as well as allowing the designers to indulge in the Art Deco celebration of the vertical.

At the top of the tower, as well as on many of the other high points and used much in the same manner that churches in the Middle Ages utilized crockets and finials, is a stylized sculpture that represents two hands raised upward in prayer.

This motif of praying hands is one that is echoed throughout the building and is one of the areas of design that can be traced back to the early drawings by Robinson.

The exterior is decorated with numerous terra cotta sculptures by the Denver sculptor, Robert Garrison, who had been a student of Adah Robinson's in Oklahoma City.

These sculptures include several groups of people at prayer representing Spiritual life, Religious Education and Worship.

Above the south entrance are the equestrian Circuit Riders, statues of the early Methodists engaged in spreading the Good Word.

like the stained glass windows were based on designs drawn from Oklahoma flora, most notably the tritomas and coreopsis flowers.

below] and praises it saying that, "its detail is daringly new, its ornamental idioms fresh and vital, its masses fairly well sculpted and perfectly expressive of the plan," and adding, "But why for the Methodists?"