In great houses, the household is sometimes divided into departments, with the butler in charge of the dining room, wine cellar, and pantry.
A silverman or silver butler has expertise and professional knowledge of the management, secure storage, use and cleaning of all silverware, associated tableware and other paraphernalia for use at military and other special functions.
From ancient through medieval times, alcoholic beverages were chiefly stored first in earthenware vessels, then later in wooden barrels, rather than in glass bottles; these containers would have been an important part of a household's possessions.
The care of these assets was therefore generally reserved for trusted slaves, although the job could also go to free persons because of heredity-based class lines or the inheritance of trades.
"[3] In ancient Greece and Rome, it was nearly always slaves who were charged with the care and service of wine, while during the Medieval Era the pincerna filled the role within the noble court.
[4] While this is so for household butlers, those with the same title but in service to the Crown enjoyed a position of administrative power and were only minimally involved with various stores.
[7] Mrs Beeton's Book of Household Management, a manual published in Britain in 1861, reported: The number of the male domestics in a family varies according to the wealth and position of the master, from the owner of the ducal mansion, with a retinue of attendants, at the head of which is the chamberlain and house-steward, to the occupier of the humbler house, where a single footman, or even the odd man-of-all-work, is the only male retainer.
However, even the highest-ranking butler would "pitch in" when necessary, such as during a staff shortage, to ensure that the household ran smoothly, although some evidence suggests this was so even during normal times.
The footman‒there were frequently numerous young men in the role within a household‒ performed a range of duties including serving meals, attending doors, carrying or moving heavy items, and they often doubled as valets.
Employers and their children and guests addressed the butler (and under-butler, if there was one) by last name alone; fellow servants, retainers, and tradespersons as "Mr. [Surname]".
Beeton in her manual suggested a GBP 25–50 (US$2,675‒5,350) per-year salary for butlers; room and board and livery clothing were additional benefits, and tipping known as vails, were common.
From the beginning of slavery in the United States, in the early 17th century, African Americans were put to task as domestic servants.
As with African American slaves, they could rise in domestic service, and their happiness or misery depended greatly on the disposition of their masters.
Beginning around the early 1920s (following World War I), employment in domestic service occupations began a sharp overall decline in western European countries, and even more markedly in the United States.
[13] Following varied shifts and changes accompanying accelerated globalisation beginning in the late 1980s, overall global demand for butlers since the turn of the millennium has risen dramatically.
[18] As the 21st century approached, many butlers began carrying out an increasing number of duties formerly reserved for more junior household servants.
[21][22] Butlers today may also be situated within corporate settings, embassies, cruise ships, yachts, or within their own small "Rent-a-Butler" business or similar agency.
In the United States, butlers may frequently don a polo shirt and slacks, while in Bali they typically wear sarongs.
For example, in the documentary The Authenticity of Gosford Park, retired butler Arthur Inch (born 1915) describes starting as a hall boy.
In showing the group in a close-knit assemblage rather than in the performance of their routine household duties, Hogarth sought to humanise and dignify them in a manner akin to wealthy-class members, who were the normal subjects of such portraits.
While this was a subversive act that certainly raised many eyebrows in his day‒Hogarth conspicuously displayed the work in his estate home in full view of guests‒at the same time he had painted his servants' facial expressions to convey the sincerity and deference expected of servant-class members.
One of the paintings was inspiration for a 3-D short film, "The Butler's in Love" by actor/director David Arquette, shot in 2008 at San Francisco's historic Westerfield Mansion.
[33][34][35][36] The real-life modern butler attempts to be discreet and unobtrusive, friendly but not familiar, keenly anticipative of the needs of his or her employer, and graceful and precise in execution of duty.
The butler of fiction, by contrast, often tends to be larger than life and has become a plot device in literature and a traditional role in the performing arts.
Butlers may provide comic relief with wry comments, clues as to the perpetrators of various crimes, and are represented as at least as intelligent and moral as their “betters,” or even more so.
[citation needed] A female butler, Sarah Stevens, is the principal character in Linda Howard's 2002 Dying to Please, a murder/romance novel.