Bret Harte

Henry's father was Bernard Hart, an Orthodox Jewish immigrant who flourished as a merchant, becoming one of the founders of the New York Stock Exchange.

[10] Harte moved to California in 1853, later working there in a number of capacities, including miner, teacher, messenger, and journalist; he was also secretary of the San Francisco Mint.

[11] He spent part of his life in the northern California coastal town of Union (now Arcata), a settlement on Humboldt Bay, as a tutor and school teacher, then a printer's devil on The Northern Californian,[12] and went on to reporting news, writing poems, and occasionally, acting editor, leaving after three years, from lynching threats for writing an editorial about the 26 February 1860 Wiyot massacre.

[16] Mark Twain later recalled that, as an editor, Harte struck "a new and fresh and spirited note" which "rose above that orchestra's mumbling confusion and was recognizable as music".

[17] The 1860 massacre of between 80 and 200 Wiyot Indians at the village of Tuluwat (near Eureka in Humboldt County, California) was reported by Harte in San Francisco and New York.

While serving as assistant editor of the Northern Californian,[18] Harte was left in charge of the paper during the temporary absence of his boss, Stephen G. Whipple.

Harte quit his job and moved to San Francisco, where an anonymous letter published in a city paper describing widespread community approval of the massacre was attributed to him.

In addition, no one was ever brought to trial, despite the evidence of a planned attack and of references to specific individuals, including a rancher named Larabee and other members of the unofficial militia called the Humboldt Volunteers.

Some suggested that she was consumed by extreme jealousy, while early Harte biographer Henry C. Merwin privately concluded that she was "almost impossible to live with".

[16] When the book, called Outcroppings, was published, it contained only 19 poets, many of them Harte's friends (including Ina Coolbrith and Charles Warren Stoddard).

The book caused some controversy, as Harte used the preface as a vehicle to attack California's literature, blaming the state's "monotonous climate" for its bad poetry.

Harte's short story "The Luck of Roaring Camp" appeared in the magazine's second issue, propelling him to fame nationwide and in Europe.

Harte's fame increased with the publication of his satirical poem "Plain Language from Truthful James" in the September 1870 issue of the Overland Monthly.

[26] The poem was a fictional representation of attacks on Chinese immigrants and Harte intended to the reader to sympathize with the victim, the character Ah Sin.

"[27]: 24 Like Plain Language from Truthful James, Harte's 1874 short story Wan Lee, the Pagan also sought to undermine stereotypes about Chinese immigrants and to portray white Americans as the true savages.

[27]: 24 Harte was determined to pursue his literary career and traveled back east with his family in 1871 to New York and eventually to Boston, where he contracted with the publisher of The Atlantic Monthly for an annual salary of $10,000, "an unprecedented sum at the time".

[29] Some time between 1872 and 1881, Harte rented the Willows, a Morristown, New Jersey mansion then owned by Union general and author Joseph Warren Revere.

In 1878, Andrew Carnegie praised Harte in Round the World as uniquely American, likely alluding to his regionalism:"A whispering pine of the Sierras transplanted to Fifth Avenue!

Portrait of Bret Harte – oil painting by John Pettie (1884) [ 20 ]
Portrait of Bret Harte by Napoleon Sarony (c. 1870). Housed at the National Portrait Gallery (United States)
19th-century publishers binding on a book by Bret Harte
Bret Harte's gravestone in the churchyard of St Peter's Church, Frimley , Surrey, England
Inscription on gravestone: "Death shall reap the braver harvest."