[4] Her work exists in the form of websites, photography, maps, installations, workshops, and performances that involve public participation with an eye to social change.
She is also co-founder and president of South Williamsburg community garden La Casita Verde in Brooklyn, one of 11 sites in the borough, as of April 2015, slated to be developed for "affordable" housing.
[2] Preemptive Media was an organization that existed from 2002 to 2008[8] of artists, activists and the technologically inclined who formed their own style of trial runs and beta tests.
The piece sheds light on the invisible practice of personal data collection via the state driver's license sold to commercial bidders in the US.
An early prototype was developed in San Francisco, with a public workshop taking place in June 2006 in New York City and the full project launching that September.
[21] For its development, AIR received the first and only Social Sculpture Commission offered jointly by the Lower Manhattan Cultural Council and Eyebeam in summer 2005.
The project became a discussion about liability issues for the merchants and a group proposing legislation so a cart like this could be a more permanent solution and not a temporary intervention in Madrid.
[37]) The performance-demonstration entitled Excess NYC travelled to Stamford and New Haven, Connecticut,[38] and Singer talked about it at her 2013 lecture at Cornell's School of Architecture Art and Planning.
[40] In November 2013, Singer helped clear and establish with nine others a community garden in a vacant lot administered by the New York City Department of Housing Preservation and Development[32] at the corner of Bedford and Division Avenues[41] in Williamsburg, Brooklyn.
[44] Self-Portrait version 2.0 (SPv2) is an online application originally conceived by Singer in 2002 as her MFA thesis project[45] and implemented in collaboration with programmer Paul Cunningham.