[3] Iolo Goch described Sycharth as containing ‘nine plated buildings on the scale of eighteen mansions, fair wooden buildings on top of a green hill’ and ‘a tiled roof on every house with frowning forehead, and a chimney from which the smoke would grow; nine symmetrical, identical halls, and nine wardrobes by each one’.
[7] Recent dendrochronological dating of the felling of a roof timber to 1470, does not rule out an association of the building's stone structure with Owain.
In the hall, the purlins are moulded with two tiers of wind braces (replaced), and the trusses have shaped feet.
There is an external stone staircase to a plank door at extreme left and square panelled timber framing to ground floor.
[12] By 1405, most French forces had withdrawn after politics in Paris shifted toward peace with the Hundred Years' War continuing between England and France.
[13] On 31 March 1406 Glyndŵr wrote a letter to be sent to Charles VI King of France during a synod at the Welsh Church at Pennal, hence its name.
Glyndŵr's letter requested maintained military support from the French to fend off the English in Wales.
[17] In 1794 John Ingleby was employed to make a watercolour record of the building, which stood just to the SE of the church and overlooked the River Dee.
There seems to be evidence for an outer stair leading to a first-floor hall, which suggests that parts of the building could well have been contemporary with Owain Glyndŵr.
[19] In his book The Mystery of Jack of Kent and the Fate of Owain Glyndŵr, Alex Gibbon argues that the folk hero Jack of Kent, also known as Siôn Cent – the family chaplain of the Scudamore family – was, in fact, Owain Glyndŵr himself.
Gibbon points out a number of similarities between Siôn Cent and Glyndŵr (including physical appearance, age, education, and character) and claims that Owain spent his last years living with his daughter Alys, passing himself off as an ageing Franciscan friar and family tutor.
Francis Kilvert wrote in his diary that he saw the grave of "Owen Glendower" in the churchyard at Monnington "[h]ard by the church porch and on the western side of it ...
It is a flat stone of whitish-grey shaped like a rude obelisk figure, sunk deep into the ground in the middle of an oblong patch of earth from which the turf has been pared away, and, alas, smashed into several fragments.
"[23][24] Historian Gruffydd Aled Williams[25] suggests in a 2017 monograph that the burial site is in the Kimbolton Chapel near Leominster, the present parish church of St James the Great which used to be the chapelry of Leominster Priory, based upon a number of manuscripts held in the National Archives.