At the time, The Bulletin was a popular and influential publication, and often supported the typical national self-image held by many Australians, sometimes termed the "bush legend.
In 1939, Banjo Paterson recalled his thoughts about the Bulletin debate: Henry Lawson was a man of remarkable insight in some things and of extraordinary simplicity in others.
Despite their vastly differing perspectives on Australian bush life, both Lawson and Paterson are often mentioned alongside each other as Australia's most iconic and influential writers.
[1]Tony Moore, in his 1997 paper about bohemian culture, says: The bohemian traits revered by 'The Bulletin' writers are almost a caricature of the Australian national type propagated by the journal: mateship and blokey bonding to the exclusion of family life; hostility to religion, personified by the Protestant wowser; ironic humour; a fondness for alcohol, pubs and gambling; pre-occupation with a free-wheeling Australian identity (overlaid with francophilia and Irish nationalism) invariably opposed to a conservative Englishness; and an occasional flirtation with political causes such as socialism and republicanism.
The identification of the bohemian with male mateship remains a strong thread in the Australian tradition, but one contested by women like Mary Gilmore in the 1890s, Dulcie Deamer in the 1920s, Joy Hester in the 1940s and Germaine Greer in the 1960s.