Konx-Om-Pax), with both working from a folder of influences they wanted to incorporate,[9] including "the '80s t-shirts Ross and Dom [Flannigan] liked with wolves and bad airbrush animal art.

[11] Birchard described his recording setup as "very simple," explaining "I’m more interested in the equipment being usable and immediate, rather than spending loads of time tweaking things.

[10] Mohawke also used hardware such as an Ensoniq VFX and Roland W30 "for lots of vintage dancey sounds" as well as a Korg M50, and sampled his own MIDI programming.

[6] AllMusic called it "A fearless scrap heap mutation that incorporates icebox IDM crunch, DayGlo synthesizer funk and, most notably, late-'80s/early-'90s R&B flourishes.

"[4] The Guardian wrote that "listening to Butter can feel like eavesdropping on the future," adding that "It's like eating candyfloss and helium on a speeding rollercoaster: exhilarating and discombobulating in equal measure.