[2] This temple was originally built in 998 in the Heian period as a rural villa of high-ranking courtier Minamoto no Shigenobu [pt; ja], Minister of the Left.
Being one of the World Heritage sites of Japan, the Byodoin Temple buildings and Buddha statues have a long history of about 1000 years.
This theory captured the heart of many aristocrats and monks, which as a result, people became more devout in Buddhism and believed in the ideology of Buddhist Pure Land.
Large scale renovation on the garden, the canopy of Amida Buddha statue and the overall outlook of the Phoenix Hall continues in the Heisei Period (1989–2019) until today.
[3][4][5] The building is regarded as almost the sole remaining example from the Fujiwara Regent Period, which is also considered as one of the most important cultural assets of Japan.
Though its official name is Amida-dō, it began to be called Hōō-dō, or Phoenix Hall, in the beginning of the Edo period.
It was executed by Jōchō, who established a new canon of proportions and a new technique, yosegi, in which multiple pieces of wood are carved out like shells and joined from the inside.
With a harmonious and gentle facial expression, he is looking slightly downward, which shows the state of meditation, as well as the feeling of merciful grace towards the audience.
As the temple faces the East, it suggests that the audience need to cross the Aji-ike pond in front of the Phoenix Hall, in order to reach Buddhist Pure Land.
The hall structure is simple, which follows the classical design from the Tenpyo period (710-794), having two different form bent to support the roof.
In December 1994, UNESCO listed the building as a World Heritage Site as part of the "Historic Monuments of Ancient Kyoto".
Built in the early Edo Period (around 17th century), the roof is thatched with Japanese cypress bark, which the materials used for construction were believed came from remains of the Momoyama Castle.
The interior wall paintings were the works produced by artists who belonged to the studio run by Sansetsu Kano, while the garden is said to have been designed by Sansai Hosokawa.
Due to its design, the interior of the museum receives sufficient natural sunlight, as well as artificial lighting to keep the exhibition halls bright and comfortable for audience's experience.
An entry pass to the Phoenix Hall, which was newly restored in March 2014, costs an additional 300 yen and can be purchased near the gate.