[1] Changing through various shapes and formats over the years, the festival currently takes place as a 10-day long event in which the music program is supplemented by an extensive daytime program of workshops, art installations, panel discussions, screenings and presentations that illustrate the latest artistic, technological and economic developments in music and media cultures.

Through the festival, as well as various events curated by CTM throughout the year, the organization reflects the latest musical currents against a backdrop of new technologies, modern art, historical perspective, and social issues.

Edited by CTM and Meike Jansen When, in the early 50s, electronic music appeared on the scene with the promise of abandoning all physical limits of music-making this was – like much besides – a Promethian male fantasy.

From the psychedelic trances of the 60s and Kraftwerk robotics of the 70s, through to Techno ecstasies, gender-political interventions in the 90s and laptop performance – the questions as to how, from whom, to what ends and in which contexts electronics and the human body might be cable-linked have continually had to be addressed anew.

With contributions from Olaf Arndt, Claudia Basrawi, Jochen Bonz & Thomas Meinecke, Mariola Brillowska, Kurt Dahlke, Diedrich Diederichsen, Harald Fricke, Tom Holert, Miss Kittin, Pinky Rose, Birgit Richard, Terre Thaemlitz, Marc Weiser and 17 black and white drawings by Jan Rohlf.