Can't Help Falling in Love

"Can't Help Falling in Love" is a song written by Hugo Peretti, Luigi Creatore, and George David Weiss and published by Gladys Music, Inc.[2] The melody is based on "Plaisir d'amour",[4] a popular French love song composed in 1784 by Jean-Paul-Égide Martini.

The song was initially written from the perspective of a woman as "Can't Help Falling in Love with Him", which explains the first and third line ending on "in" and "sin" rather than words rhyming with "you".

The song was recorded subsequently in the 1960s by Perry Como, the Lennon Sisters, Doris Day, Patti Page, Andy Williams, Al Martino and Keely Smith.

Most notably, it was also sung in the live segment of his 1968 NBC television special Elvis, and as the closer for his 1973 global telecast Aloha from Hawaii via Satellite.

"Can't Help Falling in Love" was also the last song he performed live, at his concert in Indianapolis at Market Square Arena on June 26, 1977.

The version uses archival voice recordings of Presley and his singers, backed by new orchestral arrangements performed by the Royal Philharmonic Orchestra.

In 1993, British reggae band UB40 covered the original 1961 Elvis Presley recording as the first single from their tenth album, Promises and Lies (1993).

The song, renamed "(I Can't Help) Falling in Love with You", was released on May 10, 1993 by Virgin Records, and eventually climbed to No.

It also topped the charts of 11 other countries, including Australia, Austria, the Netherlands, New Zealand (where it was the most successful single of 1993), and the United Kingdom, where it spent two weeks at No.

[33] The song appears on the soundtrack of the 1993 movie Sliver,[34] the trailer for the 1997 film Fools Rush In, and an episode of the 2015 series Hindsight.

[36] Larry Flick from Billboard wrote, "U.K. dancehall stars indulge in Elvis Presley memories on this first single from the soundtrack to Sharon Stone's new movie, Sliver."

She also noted that "they try some snappy new production tricks", like the "full-blown orchestrations" on the song, adding that "those kinds of enhancements only make the blend that much more infectious.