[4] Later in November 2020, British singer Dua Lipa hosted a livestream concert, titled Studio 2054, in which Twigs was invited to play as a guest.

"[6] In February, she described the album as a "going out" record, and revealed it would feature collaborations with Nigerian Afrobeats star Rema, British hip-hop up-and-comer Pa Salieu.

[20] Helen Brown for The Independent called the mixtape "an often exquisitely crafted sequence of grooves" that's "elegantly laced together by [T]wigs's sad angel voice".

[23] Julyssa Lopez of Rolling Stone wrote, "The rawness of her previous work is part of what makes the unbridled avant pop on her new mixtape, Caprisongs, such an epic thrill.

[...] Throughout her career, Twigs has morphed R&B wisps and electronic abstractions into highly visual concept art, and although the music on Caprisongs is her most buoyant, she doesn't sacrifice her creative nonconformity or intimacy.

"[19] Cat Zhang of Pitchfork thought the mixtape is a "playful and adventurous flex", writing that Caprisongs is the "sound of [T]wigs in the driver's seat as she traverses her own curiosities and instincts; [...] It is intrepid and light, the image of a woman attuned to planetary alignments but casting her own fate.

"[27] Heather Phares from AllMusic claimed that, "Though Caprisongs nods to more mainstream sounds than her previous work, Barnett can still make any trend or genre her own.

"[22] LaTesha Harris of NPR called the mixtape a "[t]riumphant and external [...] milestone of significant personal and professional transformation", but criticized the vocal manipulation as "too robotic", "specifically on 'Minds of Men' and 'Pamplemousse', [which sound] as if Amazon's Alexa downloaded poetry software and delivered the result on loop.