Carlo Wostry

for seven years he remained there, illustrating numerous publications and writing some articles, including some for Le Figaro.

In 1897 he painted Christ and Mary Magdalene for Saint-Roch, Paris; he followed this in 1900 with the Martyrdom of St. Justus for Trieste Cathedral.

His most important work of this period is Scena Boschereccia, that hangs today in the Revoltella Museum in Trieste.

After Wostry returned to Trieste, he created on various works which were shown at international exhibitions such as the Biennale di Venezia (1907, 1910, 1920, 1922, 1924 and 1925).

[4] Originally commissioned only to make a mural for the apse, his clients were however so enthusiastic about his work that they entrusted to him the decoration of a side chapel and in 1932 with the representation of the Stations of the Cross.