The most extensive researches in his work encompass Los Amorales (1996-2001), Liquid Archive (1999–2010), Nuevos Ricos (2004–2009), and a typographic exploration in junction with cinema (2013–present).

In his projects, Amorales examines identity construction processes, proposes a constant re signification of forms present in his work, and provokes a clash between art and pop culture.

Since 1998, Amorales has been building his "Liquid Archive", a digital database of his drawings in the form of vector graphics which he uses produce visual compositions in various media.

[2][3] The graphics, birds, spiders, trees, kneeling figures in blacks, reds, and grays reappear throughout his work and provide his signature style.

[9] He has numerous solo exhibitions as Black Cloud, Power Plant, (Toronto, 2015); El Esplendor Geométrico, Kurimanzutto (México, 2015), Germinal, Museo Tamayo (México, 2013); Nuevos Ricos, Kunsthalle Fridericianum (Kassel, 2010); Four Animations, Five Drawings and a Plague, Philadelphia Museum of Art (2008); Discarded Spider, Cincinnati Art Center (2008), to mention a few.