Other notable congueros who came to the U.S. during that time include Mongo Santamaria, Armando Peraza, Chano Pozo, Francisco Aguabella, Julito Collazo and Cándido Camero.

[4] After his tenure with Machito, in 1948 he joined Stan Kenton's Los Angeles based Progressive Jazz Orchestra with which he recorded anthological songs such as "Cuban Episode" as well as "Incident in Sound" where Vidal shines both in percussion and vocals.

[3] His residency in Los Angeles lead him to play and record with musicians such as Dámaso Pérez Prado, Xavier Cugat, René Touzet, Chico O'Farrill, Anselmo Sacasas, Eartha Kitt, Nat King Cole, Shorty Rogers, Francisco Aguabella, The Four Freshmen, Harry Belafonte, Shorty Rogers, Tadd Dammeron's Big Ten, Miles Davis, Charlie "Bird" Parker, Fats Navarro, pianist Al Haig, and saxophonist Stan Getz, Dexter Gordon, Max Roach and Curly Russell.

He also recorded the classics Yambú and Afroroots phonograms with lead musician Mongo Santamaría along with Armando Peraza, Modesto Durán, Luis Miranda, Francisco Aguabella.

With Les Baxter With Nat King Cole With The Jazz Crusaders With Bobby Darin With Stan Kenton With Charlie Parker and Dizzy Gillespie With Shorty Rogers With Kitty White With Clare Fischer