[2] Although she initially favored embroidery studies, contact with other students at the school such as painter Miguel Pérez Aguilera and sculptor Nicolás Prados López [es], who would go on to study fine arts in Madrid, inclined her to prepare her application to the Real Academia de Bellas Artes de San Fernando.

[2] She joined the Madrid school for the academic year 1940–41, thanks to her income and a scholarship from the city council of La Zubia.

[3][5] Experts have praised "her aesthetics and beauty of forms and dimensions, charged with rhythm, proportion, and harmony",[1] "where interest in the human figure predominates".

[5] For his part, Juan Manuel Miñarro [es] highlights her quality as an artist and as a teacher, "capable of conveying the craft very well".

The painter and sculptor Ricardo Suárez emphasizes her expressiveness with mud, stone carving, and great mastery of volumetry.