Dempster followed this with Griffith's The Love Flower (1920), Dream Street (1921), One Exciting Night (1922) and Isn't Life Wonderful (1924), America (1924), Sally of the Sawdust (1925), and That Royle Girl (1925).

In 1926 Dempster acted in her final film, a Griffith vehicle entitled The Sorrows of Satan (1926), co-starring Adolphe Menjou, Ricardo Cortez, and the Hungarian vamp Lya De Putti.

[1] "Griffith made three films at Paramount's Astoria Studios, each marked by his increasing obsession with his then inamorata, another ex-Denishawn dancer named Carol Dempster...her talents have received as little respect from historians as they did at the time from her co-workers.

[3] Dempster's critical stock was never very high, in part because she was unable to live up to the performances of Lillian Gish, whom she replaced as Griffith's leading lady.

In recent years, however, viewers and critics alike have slowly begun to appreciate her performances, particularly in two later films, Isn't Life Wonderful and The Sorrows of Satan.