[2] Through contributing to community-based construction of environmental and historical memory, Caycedo seeks the ways of preventing violence against humans and nature.
[13][14] Her work is also included in Defining Line, an AR public art exhibition curated by Nancy Baker Cahill and Debra Scacco.
To Drive Away Whiteness/Para alejar la blancura (2017) was a multi-media sculpture shown at Hammer Museum, Los Angeles as a part of 2018 “Made in L.A.” biennial.
[2][15][16] By 2014, 200,000 Colombian residents had been displaced under of the resource extraction projects along with the river, and privatization of the land, and Caycedo has been researched on the aftermath of the relocation to create this artwork.
The content of the book is collected from Caycedo's work in communities in Colombia, Brazil, and Mexico affected by the industrialization and privatization of river systems.
[23] How to obtain a British passport (2003) is a video work based on both the real and fiction-based acting of Caycedo and her Colombian friend, performing a civil marriage ceremony.
[5] Daytoday (2002–09) was Caycedo's individual project, in which she stayed metropolitan cities such as New York, London, and Vienna without having any money or no essential goods.
She lived day-to-day by offering people basic skills, such as haircuts or Spanish lessons, as an exchange for food or a place to stay for a night.