Casamari Abbey

The interior has a garden whose central part is occupied by a cloister, of quadrangular shape, with four galleries having a semi-cylindrical ceiling.

It has a basilica plan with a nave and two aisles; the façade has a large external portico, while behind the altar is the choir, added in 1954 and made by Vincenzo Domenico De Donatis from Sora (1886-1969) and his sons.

Initially a small community with a simple church dedicated to Saints John and Paul, the buildings were expanded in the mid-11th century by its then-Abbot Giovanni.

That it became a sphere of influence for the region at that time is shown by the large number of donations it was receiving and its acquisition of many chapels in the area whose revenues contributed to the maintenance of the abbey.

Due to the severe financial crises which arose in the shift to a capital-based economy, the region underwent great instability.

During this period, one of the major religious figures of the day, St Bernard of Clairvaux, promoted the Cistercian reforms of monasticism as the best way to ensure fidelity of life and obedience to the Church.

[3] In 1417 the abbey suffered major damage due to an assault by the army of Queen Joanna II of Naples, allied with the papacy, on the forces of Braccio da Montone which had occupied the monastic complex.

[2] An equally major blow was soon given to the life of the monastic community in 1430, when Pope Martin V made his nephew, Cardinal Prospero Colonna, the commendatory abbot of Casamari, thereby giving him the control of the abbey's finances.

Nevertheless, the soldiers proceeded to sack the abbey in next days, including the church, where they broke open the tabernacle and scattered the consecrated hosts on the floor.

Declared martyrs, they were buried within the church itself, as opposed to the abbey graveyard, however the official pronouncement was issued in Vatican only in May 2020.

Keeping their adherence to the Trappist reform, they resisted later pressures put on them at the start of the 20th century to join the Congregation of Subiaco.

The monks began to extend their work to include the pastoral care of nearby parishes and opened a seminary.

Façade of the abbey church.
The choir of the abbey church
Nave of the abbey church