The album features guest appearances from Stefflon Don, Davido, Ty Dolla Sign, Fatoumata Diawara, Lucky Daye and Fousheé.

Adekunle Gold enlisted production from Pheelz, Blaisebeatz, Seyifunmi, Tay Iwar, Synematik, Bigfish, Kali, Rymez, Lekaa Beats, Quebeat and TMXO.

Peter notes, “Throughout this album, AG sings with the sure-footedness of someone that doesn’t have much to prove.” The review reflects the singer's growth and self-assurance, giving it a rating of 7.6/10.

While some tracks like “Mase Mi” and “Selah” stand out, the overall album misses an opportunity to bring pop closer to Gold's highlife roots.

[10] Pulse Nigeria's Motolani Alake's review of Adekunle Gold's Catch Me If You Can highlights his transformation into "Bad Boy Deks," emphasizing a more confident and self-assured pop star persona.

[9] Chinonso Ihekire of Afrocritik's review of Catch Me If You Can describes it as a significant and introspective album that marks a notable evolution in Gold's music career.

The review notes, "Catch Me If You Can is more of a kinetic testimony, than it is a cynical brag," highlighting that despite the album's unpredictable nature and evolution, it remains true to Gold's themes of affection and optimism.