In 2016, with sociologist and experimental musician Dimitri della Faille, he co-wrote a book on noise music in Southeast Asia.
[15][16][17] C-drík collaborated or still works together with the following artists [live and or studio] : Mick Harris, Mark Spybey, Mathis Mootz, David Thrussel, Planet Aldol, Sato Yukie, Nakamura Yuji, Yan Jun, Wu Quan, Itta, Daytripper, Mimetic, Ha Jane, Lee Han Joo, One Man Nation, Mindfuckingboy (Shaun Sankaran), Cliquetpar, B6, 718, Contagious Orgasm, Naofumi Ishimaru, Goh Lee Kwang, Lau Mun Leng, Li Chin Sung, Xavier Depienne, Le diktat, Error, Gisèle Pape, Gregory Durez, Tri Minh, Hùng Nguyễn Mạnh, Nguyễn Van Cuong, The Seventeen Migs of Spring, Olivier Moreau, John Sellekaers, Hervé Thomas, Gabriel Séverin, Marc Medea, Szkieve, Pei, Stereo warfare, Aluviana, Xabec.
Connected to visual arts (he has also learnt declamation, theater and improvisations), he composes soundtracks for theater, exhibitions, sound installations, fashion shows and short movies (Blanc murmure, 3point5, RTBF, Télésambre, Babel Q Compagnie, Charleroi Danse / Frédéric Flamand, Giovani Guzzo, Les théâtres du mercredi in Belgium, Wim Reiff Gallery, B52, Kunsttour, in the Netherlands, Ðào Anh Khánh Studio in Vietnam, the Guangdong Modern Dance Company in China).
[18] He composed and performed live two musical scores for the Sergei Eisenstein's mute films The strike in Riga, Latvia (at the festival Baltā Nakts) in 2006[19] and The Battlefield Potemkin in Dresden, Germany together with Xabec in 2009.
Aliases such as D-Drik, F-Drik, H-drík, J-drík, Kirdec, O-drik, Q-drík, R-Drik, V-drík, Y-drík are therefore variations of C-drík main alias.