Céline Arnauld (born Carolina Goldstein on 20 September 1885, Călăraşi (Romania), died on 23 December 1952 by suicide in Paris) was a writer associated with Dadaism.

These early poems revolved around the theme of transport, referring to modern travel means and metaphysical transit.

Two months later, she is recorded as an author and performer of a dialogue called “Jeu d’échecs” (Chessboard) in the Festival Dada at the Salle Gaveau.

A pamphlet of poetry published by Clayton Eshleman in 1977 called “The Gospel of Celine [sic] Arnauld.” Eshleman, asked by Arnauld to translate some of her work, wrote that he found her works to be “run-of-the-mill French poetry, worn-out language, superficial emotion, nothing new in short.” However, he still was inspired to create his own version of a narrative while in a trance.

In her study of Arnauld for her book “Dada’s Women,” Ruth Hemus allows the American poet creative license but states that he “failed to comprehend the conditions under which Arnauld was writing, was ignorant of the rebellion inherent in her participation in Dada and did not perceive any aspects of innovation in her body of work.”