He wrote this work for the French cellist, viola da gamba player and instrument maker Auguste Tolbecque.
Sir Donald Francis Tovey later wrote "Here, for once, is a violoncello concerto in which the solo instrument displays every register without the slightest difficulty in penetrating the orchestra.
[3] Yo-Yo Ma's recording of five "Great Cello Concertos" includes Dvořák's, Elgar's, Haydn's 2nd, Saint-Saëns' first, and Schumann's.
Saint-Saëns' contact with Franz Liszt while serving as organist at the Église de la Madeleine may have led him to use cyclic form in his orchestral works.
[citation needed] Along with the solo cello, the concerto is scored for an orchestra consisting of 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani and strings.