Lost to the Crown because of fraud to the State, it was donated by King Henri II to his mistress Diane de Poitiers.
However, she preferred Château de Chenonceau and sold the property to the former owner's son, Philippe Hurault, who built the château between 1624 and 1630, to designs by the sculptor architect of Blois, Jacques Bougier, who was trained in the atelier of Salomon de Brosse, and whose design at Cheverny recalls features of the Palais du Luxembourg.
The interiors were completed by the daughter of Henri Hurault and Marguerite, marquise de Montglas, by 1650, employing craftsmen from Blois.
Required to forfeit much of the Hurault wealth at the time of the French Revolution, the family sold the property in 1802, during the Consulate and approximately two years prior to the declaration of the Empire, but bought it back again in 1824, during the Restoration under Charles X, when the aristocracy was once again in a very strong political and economic position.
A gallery leads to the Petit Salon which is hung with five Flemish tapestries and a portrait attributed to Maurice-Quentin de La Tour.
A guard room with a collection of arms and armour leads to the Chambre du Roi, richly hung with five Paris tapestries after designs by Simon Vouet, representing the story of Ulysses.