[12] The concert starts with the opening video, which is interspersed with footage from Yoasobi's past live performances, accompanied by an ominous sound effect overlaid with the announcement "Welcome to the surreal world" (超現実の世界へようこそ, Chō-genjitsu no sekai e yōkoso) and the claws and eyes of a giant monster appears from a crack in the LED screen before "Seventeen" begins and "Shukufuku" follows.

The sets are changed to the seaside with vending machines and benches on the left side for "Umi no Manimani", and starry sky for "Yasashii Suisei".

After the documentary film looking back on the duo's activity, the reproduction of Ayase's temporary room at his sister's house, where he wrote Yoasobi's songs in their early career, is situated at the center platform, during which "Tabun" was being performed.

After the duo leaves the stage, the band members—Zacro Misohagi (keyboard), AssH (guitar), Honogumo (drums), and Hikaru Yamamoto (bass)—give solo performances.

In the second day of Tokyo show, guitarist Satoru Taguchi and drummer Tatsuya Amano join the stage before perform "Ano Yume o Nazotte".

Marked as a "climax" of the concert, Yoasobi performs "Loveletter", where the duo is in a hot air balloon, while "Adventure" in carts leap out of the stage in the festive atmosphere.

The duo calls child dancers to go on the stage to perform "Tsubame" (Midories appeares on the second day of the Tokyo show), before aiming to be the one with "Gunjō"; Ikura marchs around the venue during the second verse.