It was commissioned by the music ensemble Boston Musica Viva, which first performed the work under the direction of Richard Pittman on November 30, 1979.
[3][4] In a 1985 interview with the music critic Tim Page, the composer reflected, "It's still very difficult for me to listen to the 'Chamber Symphony.'
Reviewing a 1983 performance of the piece, Joseph McLellan of The Washington Post described it as "a succinct, intense work that develops an orchestral richness of sound with piano, three strings, flute, and clarinet.
Composed after her husband's sudden death, the music has a deep, direct emotional appeal, reflecting the anguish of that time.
"[7] Edward Rothstein of The New York Times remarked, "Simple musical elements expressionistically touched on grief, outrage, bewilderment.