[5] This includes the instrumental "Angi" which was to become Graham's best-known composition, as well as the title track "3/4 A.D.", named after its time signature and the initials of the two performers.
This instrumental piece took its inspiration from jazz sources such as Miles Davis and Charles Mingus, but was in the form of an acoustic guitar duet by Korner and Graham—one of the earliest recordings of folk baroque.
[7] Perhaps the most prominent exponent of recent years has been Martin Simpson, whose complex mix of traditional English and American material, together with innovative arrangements and techniques like the use of guitar slides, represents a deliberate attempt to create a unique and personal style.
[8] As well as being a continuing influence in Britain which created a network of underground folk clubs across the country, mostly in urban centres, the style had an impact elsewhere.
[1] By the 1970s Americans such as Duck Baker, Eric Schoenberg were arranging solo guitar versions of Celtic dance tunes, slow airs, bagpipe music, and harp pieces by Turlough O'Carolan and earlier harper-composers.