Like the other French factories of this period, and unlike the "Saxon" hard-paste porcelain produced at Meissen, kaolin was not amongst the raw materials of the Chantilly body.
[4] Decorative vases and figurines (or magots) for the chimneypiece[5] were produced, and useful wares included delicately modelled rococo tea-pots and cream jugs, coffee-sets or cabarets complete with their trays, covered tureens, bourdaloues, plates and cups,[6] down to porcelain flowers to incorporate in chandeliers and knife-handles.
[7] A patent granted to the factory in 1735 by Louis XV specifically describes the right to make porcelain façon de Japon, "in imitation of the porcelain of Japan;" its reference to ten years' successful experiment on the part of Ciquaire Cirou (c. 1700–1751)[8] is the basis for dating the factory's origins to 1725, found in many sources.
[9] At first the body of the ware was covered with an opaque tin-glaze like that used for faience, providing a clean white ground for the sparse decors in enamel colors.
[11] Potters from Chantilly were induced to move to Vincennes, initiating the porcelain manufacture that would receive royal patronage at Sèvres and absorb the French market for porcelain of the highest refinement; letters patent of 1752 granting a monopoly to Vincennes of polychrome decors further reduced Chantilly's scope.