Charon

[1] Archaeology confirms that, in some burials, low-value coins known generically as Charon's obols were placed in, on, or near the mouth of the deceased, or next to the cremation urn containing their ashes.

[1][2] In Virgil's epic poem, Aeneid, the dead who could not pay the fee, and those who had received no funeral rites, had to wander the near shores of the Styx for one hundred years before they were allowed to cross the river.

[5] Charon is first attested in the now fragmentary Greek epic poem Minyas, which includes a description of a descent to the underworld and possibly dates back to the 6th century BC.

[6] No ancient source provides a genealogy for Charon,[7] except for one reference making him a son of Akmon (father of Uranus) [de], found in the entry "Akmonides" in the lexicon of Hesychius, which is dubious and the text may be corrupt.

In Genealogia Deorum Gentilium, the Italian Renaissance writer Giovanni Boccaccio wrote that Charon, who he identified as the god of time, was a son of Erebus and Night.

[10] The idea appears to have originated from the similarity between the names "Charon" and "Chronos" (a connection already made by earlier writers such as Fulgentius), the fact that both are said to be very old, and that the god of old age is said to be the child of Erebus and Night according to Cicero's De natura deorum.

[12] In the 1st century BC, the Roman poet Virgil describes Charon, manning his rust-colored skiff, in the course of Aeneas's descent to the underworld (Aeneid, Book 6), after the Cumaean Sibyl has directed the hero to the golden bough that will allow him to return to the world of the living: There Charon stands, who rules the dreary coast;A sordid god: down from his hairy chinA length of beard descends, uncombed, unclean;His eyes, like hollow furnaces on fire;A girdle, foul with grease, binds his obscene attire.

Though named after Charon, the Etruscan death-demon Charun has a different origin and functions, being an assistant to Death as well as psychopomp and guardian, delivering the newly dead to the underworld by horseback or chariot.

Attic red-figure lekythos attributed to the Tymbos painter showing Charon welcoming a soul into his boat, c. 500–450 BC
Charon and his boat on a funerary relief, ca 320s BC, KAMA .
Charon with punt pole standing in his boat, receiving Hermes psychopompos who leads a deceased woman. Thanatos Painter , ca. 430 BC
Charon as depicted by Michelangelo in his fresco The Last Judgment in the Sistine Chapel
In the Divine Comedy , Charon forces reluctant sinners onto his boat by beating them with his oar. ( Gustave Doré , 1857).