Exhibited at the Exposition Universelle of 1900, it entered the Louvre in 1918 from the collection of Joanny Peytel, and has been in the Musée d'Orsay since 1986.

The clarity of the sky which accentuates the impression of cold contrasts with the brown tones of the ground which are reinforced by the oblique light.

The impression of depth is reinforced by the row of trees, punctuating the trunks and their shadows with vertical and horizontal lines.

The rise creates an off-center vanishing point, towards a bird's eye view of the sunny background.

The direction of the construction may reveal the influence of Jean-Baptiste Camille Corot, and the important place of the sky recalls Salomon van Ruysdael, one of the masters of the Dutch landscape of the 17th century.