78, Penglai Town [zh], Taipei City, Taihoku Prefecture during the Japanese colonial period.
During this period, he taught attentively at school and promoted community cultural activities, winning many awards for outstanding contributions.
His works from this period include Golden State Sunset (金州斜陽), Pyongyang Taedong River(平壤 大同江), Pyongyang Lianguang Pavilion (平壤 練光亭), Gumgang Mountain Jiulongyuan (金剛山 九龍淵), and Dalian Tiger Stall (大連 老虎攤), among others.
After returning to Taiwan, he held a solo exhibition showcasing 30 works from his travels in mainland China.
His works from this period include Mountain Landscape (Kabiyang Society) (山地風景 (卡卑揚社)), Dawu's Early Spring (大武的初春), and Primitive Village (原始之村).
Through these associations, he contributed to the promotion of Western watercolor painting movements and facilitated artistic exchanges.
[8] In addition to being committed to promoting new art, Chen Yingsheng and his wife, Su Xiao, were also active in early childhood education and ran the "Dadaocheng Kindergarten"[9] in Hong Kong Town from 1925 to 1947.
He served as a review member and director of the Taipei City North District Life Improvement Association (the predecessor of the current Taipei City Library Yanping Branch) and the eight-person anonymous group of the Monopoly Bureau of the Taiwan Governor's Office.
Member (wholesaler); director of the Taipei Chamber of Commerce and Industry and secretary of the Taiwan Tea Merchants Association, etc.
In addition, it is currently only known that the Shunyi Taiwan Museum of Art collected a watercolour painting of "Street Scene Porter[12]" by Chen,[13] and it was exhibited at the Taipei International Art Fair in October 2020; there is another work titled The oil on wood panel titled "Lady Picture"[14] is in Chen Chengbo's collection and appears in the seventh volume of Chen Chengbo's complete works, Personal Historical Materials (II).