(1968), the film is notable for the first appearance of actor (and Meyer regular) Charles Napier playing Harry Thompson, a California border sheriff and cannabis smuggler who makes a reappearance in 1975's Supervixens.

Napier's nude scene with Larissa Ely, where they run in the desert, is the first instance of full frontal male nudity in a Meyer picture.

[4] Uschi Digard, who would also go on to make frequent appearances in Meyer's films, was cast as the naked muse of the Apache character.

Shown in cut scenes usually wearing only an Apache headdress, this plot device was necessitated after the lead actress left the shoot early and there was 20 minutes of footage needed to complete the film.

[5] The film begins with a monotone narration about the developing evil of marijuana in modern society and the need for vigilance in stopping the actions of the "pushers" and the "smugglers".

Harry, a small town border sheriff, lives at the site of a defunct silver mine with his girlfriend Cherry, an Englishwoman who works as a nurse.

Harry and his Mexican-American associate Enrique, work for local politician Mr. Franklin, in an operation in which they divert marijuana through the border.

En route to the mine, however, Enrique is killed in the desert by Apache who brutally runs him down with Harry's jeep.

When Cherry enters her room for nursing duties, Raquel produces a small case containing marijuana cigarettes.

The narrator then ruminates on the message the film carries and the characters we have just seen, after which the twist ending reveals that the entire story has been fiction, and that Raquel herself is the author.

[9] Filmink argued the film "features two women happily going at it intercut with scenes of two men pointlessly shooting each other to death, making a surprisingly affecting point about sex being more worthwhile than violence.