An adaptation of the eponymous novel by Shivaji Sawant, which is based on the life of Sambhaji Maharaj, the second ruler of the Maratha Empire, it stars Vicky Kaushal, Rashmika Mandanna and Akshaye Khanna.

The tune appears in multiple instances, while its purpose was signified in the climatic portions, where it becomes the voice of his wife coming back and embodied their telepathic spiritual relationship.

[2] Rahman refrained from using any ideas when it comes for composing historical films, but to provide the story and visuals, a contemporary feel which would resonate with the current generation audiences.

[12] The music received mixed reception from critics and audiences, who noted Rahman's use of contemporary sounds being "out of place" for a period film set in the 17th century.

[1] Devesh Sharma of Filmfare noted "While AR Rahman’s background score is typically masterful, the use of electric guitar in the midst of tense sequences, reminiscent of Wagner’s Ride of the Valkyries, feels out of place in a period drama.

"[16] In contrast, Ganesh Aaglave of Firstpost said "A.R Rahman’s music, BGM and scores blends beautifully with the narrative and enhances the storytelling.

"[17] Nishad Thalaivappil of News18 wrote "The theme track of the film, Aaya Re Toofan, along with the two soulful melodies, Jaane Tu and Zinda Rahey, already makes this album a strong contender for the music accolades.