Chinese ritual mastery traditions

Though scholars and official Chinese sources often catalogue these practices as "Taoist", because they use Taoist texts, symbols and icons, in fact they are called by different names [...] Such practice can (but does not always) include what is called "redhead" or "redhat" (hung-tou) Taoism, the rituals of Yao, Miao, Na-hsi, Moso and Bon Tibetan practices, and the Ngapa or Ngawa rites of Tibetan conjurers in parts of Amdo [...] Though the mantra incantations and mudra hand symbols used by Taoist and popular religious experts are often similar if not identical, the goal and physical effect on the body are different.

The Taoist sense of emptying kenosis and peace distinguish the traditional meditative system from the popular rites that summon violent spirits, exorcise evil demons, and attempt to control the elements such as wind, rain, hail, snow, and other forces of nature.

[10] It is very active nowadays, and is related to the worship of the goddess Chen Jinggu ("Young Quiet Lady") the Waterside Dame (临水夫人 Línshuǐ Fūrén), who is very popular in the same area.

[10] Lushan fashi perform rituals as the head of celestial troops while invoking the "Three Ladies" (sannai): Chen Jinggu and her two disciples, Lin Jiuniang and Li Sanniang.

Although Lushan fashi are men, in performance they wear the ritual red skirt of Chen Jinggu and a crown or headdress with the words "Three Ladies" painted on it.

A fashi -led ceremony in Taichung , Taiwan
Zhenkong, "Void of Truth".
Zhenkong, "Void of Truth".
Taijitu symbols are used also in ritual masters' traditions.
The Waterside Dame and her two attendants Lin Jiuniang and Li Sanniang, at the Temple of Heavenly Harmony of the Lushan school in Luodong , Yilan , Taiwan