The chirimía is a member of the shawm family of double-reed instruments, introduced to North, Central and South America in the sixteenth and seventeenth centuries by the Spanish clergy.
[2] Usage of the chirimía varies widely across Iberomerica and Iberia itself, with the instrument being extinct in some areas, but a living tradition in others.
The chirimía and drum are used to accompany religious processions and annual commemorative dance-dramas in many remote areas of Latin America, including Jacaltenango, Guatemala.
This tradition is an adaptation of the pre-Columbian practice of accompanying religious ceremonies and processions with drums, flutes, and whistles.
The mouthpiece consists of a staple, a tapered metal cylinder, that is wrapped with string and topped with a wooden pirouette.