It is a remake of the 2004 Tamil film Kaadhal, despite being based on the Rizwanur - Priyanka case (2007),[2] the film stars Rahul Banerjee and Priyanka Sarkar in lead roles, both of them making their cinematic debut, while Rudranil Ghosh, Geeta Dey, Tamal Roychowdhury, Rita Koiral, Tulika Basu, Supriyo Dutta, Prasun Gain, Parthasarathi Chakraborty, Debranjan Nag, Pradip Dhar, Subhomoy Chatterjee and Pradip Bhattacharya played supporting roles.

Sabyasachi Chakraborty gave his voice in the film, playing the narrator and Dev made a cameo appearance in the song "Pante taali".

The name of the film was taken from the song of the same name composed by Bappi Lahiri and sung by Kishore Kumar, from the Prosenjit Chatterjee starrer blockbuster filmAmar Sangi (1987).

Considered to be an all time blockbuster at the box office, it completed a 25 week long run in theatres and also eventually established Raj Chakraborty as a leading filmmaker in the industry.

[citation needed] Krishna (Rahul Banerjee) is a diligent scooter mechanic in Siliguri and life goes on hectic yet smoothly for him until a daughter of rich local mafia don Pallavi (Priyanka Sarkar) sets her eyes on him.

The film begins with the elopement, as Pallavi steps out of her house in her school uniform, leaving even her wristwatch behind since Krishna has instructed her not to take a single thing with her.

Pallavi's uncle using his wit and with the help of Ali who is unaware of his intentions tracks down the couple and offers to come back and reconcile with the family.

Krishna had lost his memory and sanity from the grievous assault at the hands of Pallavi's father and relatives which resulted into the permanent damage of his brain.

[1][4] The Telegraph reviewed that movie: "Chirodini... Tumi Je Aamar could as well be a version of QSQT or any other tragic teen love story done to death on screen.

But Raj Chakraborty’s directorial debut turns the cliche on its head and makes a two-hour-20-minute entertainer, without the tackiness, sloppiness and meaningless melodrama typical of mainstream Tollywood ... Chirodini’s strength is its screenplay — smart, crisp and racy with neat shot divisions, life-like situations and convincing characters.

The original touch is that the film opens with the couple’s elopement after top-angle shots of the city of Kolkata panning across to cover people going about their daily lives including a madman who roams aimlessly across the streets.