It was built in the form of a substantial hexastyle Doric temple with a square cella and might have been surmounted with the prize tripod of the Dionysia.
In 1889 Wilhelm Dörpfeld proposed a site in the area of the Odeon of Herodes Atticus for the foundations of the building,[3] which idea was eventually discarded.
This identification was then used as a terminus ante quem for the destruction of the choragic monument and the building of the Beulé Gate before the construction of the Odeon in the middle of the second century.
[8][9] The exact date of the destruction of the monument is unknown, however, Dinsmoor argued that it might have been at the same time as the demolition of the Stoa of Eumenes in the late Roman period, before the reconstruction of the Theatre of Dionysos by Phaidros in the 3rd or 4th century CE.
[11] The conspicuous display of wealth and prestige they represent may have been an attempt to further the political careers of the choregoi and as such prompted the sumptuary law of Demetrios of Phaleron.