But Not Dead, a live recording of the band's June 1981 gig at the 100 Club in London along with other studio tracks, demos and tape fragments.

The box also included a book, A Series of Shock Slogans and Mindless Token Tantrums (featuring Penny Rimbaud's essay "The Last of the Hippies", telling the story of the suspicious death of his friend Wally Hope),[1] and a large poster painted by Gee Vaucher.

Unlike previous Crass albums, Christ took almost a year to record, produce and mix, during which time the Falklands War had taken place.

[2] In a retrospective article written for the album, Harry Sword of The Quietus refers to it as "the most caustic realization of their vision" and called it "a seething howl that remains most intensely relevant to politics and vibrantly forward thinking in terms of music.

"[10] Reviewing the album in NME, Paul Du Noyer wrote: "There's always something exciting about such raw passion; anger which hits you so hard that every idea in your head gets shook up, violently.