Christer Strömholm

[3] Over the course of his young adulthood, however, his political perspective changed; he joined the Swedish Volunteer Corps at the age of 21, and supported the Norwegian resistance movement later in the war.

[4] In 1937 Strömholm travelled to Dresden to study art under the German painter Woldemar Winkler [de].

[7] Alumni of the school include production designer Anna Asp, cinematographer Bille August, and photographers Anders Petersen, Björn Dawidsson (Dawid), and Gunnar Smoliansky.

[9] The historian Philip Charrier has investigated how Strömholm represents his Place Blanche trans subjects relative to their own self-narratives and period societal views on transgenderism.

[10] The critic Sean O'Hagan, writing in The Guardian, said he "is known as the father of Swedish photography both for his abiding influence and for his role as a teacher.